1 00:00:12,010 --> 00:00:14,410 . . 2 00:00:14,410 --> 00:00:26,690 . 3 00:00:26,690 --> 00:00:27,690 . . 4 00:00:52,750 --> 00:00:53,750 oh 5 00:02:12,079 --> 00:02:13,480 Hello? 6 00:03:26,020 --> 00:03:30,900 The memory of you is always in my mind. 7 00:03:32,810 --> 00:03:36,590 A smile of tear aside I remade your mind 8 00:03:36,590 --> 00:03:42,170 You're here, my 9 00:03:42,170 --> 00:03:49,050 heart You know that there will always 10 00:03:49,050 --> 00:03:55,350 be A time for me to live, a time for me to die When you say goodbye 11 00:03:55,350 --> 00:04:00,170 A time for me to love, a time for me to hate When you... 12 00:04:21,579 --> 00:04:25,040 The silence of the night is like a falling rain. 13 00:04:27,100 --> 00:04:31,040 You take those in my head and still calls out your name. 14 00:07:06,600 --> 00:07:07,600 You're right. 15 00:07:08,340 --> 00:07:11,340 With a good gore, very quiet in a small hole. 16 00:07:12,420 --> 00:07:13,660 At the rigor of a boat. 17 00:07:14,460 --> 00:07:15,960 Ah no, not like that one, no. 18 00:07:16,460 --> 00:07:18,980 With a beautiful line, point in front. 19 00:07:25,820 --> 00:07:27,540 Super superstructures, what. 20 00:07:29,300 --> 00:07:30,660 Ah yes, it can be funny. 21 00:09:09,290 --> 00:09:11,310 You know, I like peace and tranquility. 22 00:09:12,830 --> 00:09:14,490 The landscape, you can get away with it. 23 00:09:16,210 --> 00:09:17,650 Even if it's as beautiful as this one. 24 00:09:18,630 --> 00:09:19,750 Then we can bring someone. 25 00:09:21,630 --> 00:09:23,790 Especially if it's a pretty girl to decorate the evening. 26 00:11:49,390 --> 00:11:52,090 All these reflections, in fact, I wonder if you're right. 27 00:11:52,430 --> 00:11:56,330 Bringing a pretty girl when we go fishing, it's not very subtle. 28 00:11:56,870 --> 00:11:59,190 If we have the gold in hand, what can she do? 29 00:11:59,670 --> 00:12:00,670 Nothing at all. 30 00:12:00,730 --> 00:12:01,910 Oh, and make the food, maybe. 31 00:12:02,250 --> 00:12:03,730 Oh, so there you lack imagination. 32 00:12:04,550 --> 00:12:05,650 You must not be freed, you. 33 00:12:06,230 --> 00:12:07,670 You still have a lot to judge, it seems. 34 00:12:37,589 --> 00:12:38,589 Hope. Hope. 35 00:13:56,110 --> 00:13:57,770 Ah, I must be late, it's just. 36 00:14:00,090 --> 00:14:04,050 However, I have ideas. Yes, it is a good thing, but on what? On the 37 00:14:04,050 --> 00:14:05,050 fishing? Come on, tell it. 38 00:14:06,310 --> 00:14:08,090 Ah, well, you know, it's difficult to say. 39 00:14:09,470 --> 00:14:10,850 It's put into practice, that's all. 40 00:14:12,410 --> 00:14:14,050 So, I tell you that we can fish day and night. 41 00:14:14,430 --> 00:14:18,270 So it's better to have someone, you comprends ? Oui, pour faire la bouffe. 42 00:14:18,490 --> 00:14:20,670 Ah, bon, d 'accord. 43 00:14:25,480 --> 00:14:26,480 C 'est chouette le bateau, non? 44 00:14:28,880 --> 00:14:32,740 Ouais. Regarde la peau qui entre dans l 'écume. Ça me rappelle... Quoi? Rien. 45 00:17:29,600 --> 00:17:31,040 You've got things to learn, I'd say. 46 00:17:31,300 --> 00:17:34,020 Do you know where we're going to go? There, close to the Earth? Well, it's 47 00:17:34,020 --> 00:17:37,320 Corinth, a great canal that cuts the Earth in half. After all, it's just a 48 00:17:37,320 --> 00:17:39,140 stretch of water in the middle. It's like a deep gorge. 49 00:17:39,600 --> 00:17:40,600 It's a deep gorge. 50 00:17:40,780 --> 00:17:41,780 You don't have any imagination. 51 00:17:42,080 --> 00:17:42,799 No, I do. 52 00:17:42,800 --> 00:17:43,800 I do. 53 00:17:44,600 --> 00:17:46,580 You have to know how to make interpretations. 54 00:17:46,980 --> 00:17:47,679 Do you understand? 55 00:17:47,680 --> 00:17:48,680 Yes. 56 00:17:49,060 --> 00:17:52,240 I always think of concrete, hard, deep things. 57 00:17:52,440 --> 00:17:53,440 You see? 58 00:17:53,700 --> 00:17:54,700 You're not a dreamer. 59 00:18:09,630 --> 00:18:13,470 Regarde le pont qui enjambe la gorge. Ah oui, qui enjambe. D 'accord. 60 00:18:15,070 --> 00:18:16,070 On voit le bout. 61 00:18:16,450 --> 00:18:17,770 Oui, c 'est ça, le bout. 62 00:19:18,679 --> 00:19:21,860 oh my god 63 00:21:49,900 --> 00:21:52,080 I like to share, but I also like to receive. 64 00:21:53,580 --> 00:21:55,260 I'm not against company, on the contrary. 65 00:21:56,900 --> 00:21:59,820 I like to share my joys, my pains, my pleasures. 66 00:22:00,200 --> 00:22:01,380 But not your wife, anyway. 67 00:22:01,740 --> 00:22:02,740 Well, it depends. 68 00:22:03,240 --> 00:22:04,680 Oh, now you're going far. 69 00:22:05,200 --> 00:22:09,260 Why? You share a meal, a cigarette, then. 70 00:22:09,840 --> 00:22:11,120 Oh, but it's not the same. 71 00:22:11,360 --> 00:22:12,360 I don't see the difference. 72 00:22:12,880 --> 00:22:15,800 Tell me, in the end, you have more imagination than I thought. 73 00:22:16,240 --> 00:22:17,240 Well, it could be. 74 00:24:23,650 --> 00:24:24,650 Oh. Oh! 75 00:25:08,300 --> 00:25:10,820 You know, I'm wondering if it's not you with your fishing that's complex. 76 00:25:11,160 --> 00:25:13,300 It's not normal to have solitude like that. Think about it. 77 00:25:37,930 --> 00:25:43,810 you turn it to the left you turn it to the right and suddenly you discover a 78 00:25:43,810 --> 00:25:44,810 one 79 00:27:29,580 --> 00:27:31,820 But have you ever dreamed of anything else than what you already have? 80 00:27:32,020 --> 00:27:33,020 Oh, how come? 81 00:27:33,120 --> 00:27:34,120 Of course. 82 00:27:34,260 --> 00:27:37,120 I dreamed of another car, of another canapé. 83 00:27:37,380 --> 00:27:38,760 No, no, no, but not of another woman? 84 00:27:39,220 --> 00:27:42,760 Oh, that, of course, I don't have the one I have. Oh, but that doesn't stop 85 00:27:43,200 --> 00:27:44,720 Maybe she also wants something else. 86 00:27:45,200 --> 00:27:46,680 Oh, you're kidding, aren't you? Oh, not at all. 87 00:39:32,850 --> 00:39:35,070 Look, you see your wife, she's going out with someone else. 88 00:39:35,530 --> 00:39:38,250 Well, it's nothing, okay, but maybe she wants to do something for him. 89 00:39:38,690 --> 00:39:42,310 Oh, stop it, you're joking, she doesn't just think about that. Maybe not just 90 00:39:42,310 --> 00:39:43,310 that, but she thinks about it. 91 00:39:43,990 --> 00:39:45,130 Imagine a little when she's pregnant. 92 00:39:45,890 --> 00:39:46,890 Imagine a little. 93 00:39:47,190 --> 00:39:48,190 I imagine, and then? 94 00:39:48,350 --> 00:39:51,810 Ah, well, there's the contact, the heat, the music, and who knows what she has 95 00:39:51,810 --> 00:39:52,549 in her head, huh? 96 00:39:52,550 --> 00:39:53,550 Do you understand? 97 00:39:53,730 --> 00:39:56,710 I understand, yes, and then? Then what right would he prevent her from doing 98 00:39:56,710 --> 00:39:57,710 what she wants to do? 99 00:44:23,100 --> 00:44:29,900 Sorry, I'm sorry, hallelujah, baby. Sorry, I'm sorry, hallelujah, baby. 100 00:44:29,900 --> 00:44:35,800 Just when the sun is turning red at night, and when the stars are shining in 101 00:44:35,800 --> 00:44:41,740 sky, you turn it to the left, you turn it to the right, and suddenly you 102 00:44:41,740 --> 00:44:44,720 discover a newborn people shot in a generation. 103 00:46:23,880 --> 00:46:27,500 If you weren't here, I'd imagine everything she'd do. Why would you do 104 00:46:27,600 --> 00:46:29,160 She'd do everything she'd want to do. 105 00:46:29,740 --> 00:46:32,120 I'm telling you this because you seem to doubt she'd do it. 106 00:46:32,880 --> 00:46:38,640 If I keep listening to you, you're going to give me doubts. Stop. 107 00:49:31,299 --> 00:49:34,100 A generation, 108 00:49:36,280 --> 00:49:41,120 a generation, a generation 109 00:50:08,590 --> 00:50:09,950 Allons, vous êtes dans la politique. 110 00:50:11,690 --> 00:50:15,510 Regardez. C 'est normal, ça, mais dans quel parti êtes -vous? Les échanges 111 00:50:15,510 --> 00:50:18,330 cultural, a bit of what they do for 'moment. I don't believe that you 112 00:50:18,330 --> 00:50:19,370 brings currency, all that. 113 00:51:14,890 --> 00:51:16,350 Look at the blonde. 114 00:51:16,610 --> 00:51:19,930 This one? Well, she's the wife of a minister in Paris. Ah, and this one? 115 00:51:20,130 --> 00:51:23,670 Ah, she's a minister of worship. 116 00:52:55,530 --> 00:52:57,170 So really, he is a minister of worship. 117 00:52:57,490 --> 00:52:59,370 Yes, but not here, in his country. 118 00:52:59,770 --> 00:53:01,490 She doesn't seem like one civil servant. 119 00:56:12,460 --> 00:56:14,120 Well, I have to pee. 120 00:56:14,960 --> 00:56:17,320 Ah, but you won't be able to boast. 121 00:58:08,380 --> 00:58:11,980 and suddenly you discover a newborn people 122 00:59:32,360 --> 00:59:33,360 What was that? 123 00:59:33,580 --> 00:59:36,280 An avenue lined with columns which led at the temple there. 124 00:59:36,860 --> 00:59:41,680 This one? Yes, it is in ruins. Ah good? I thought we were building... You 125 00:59:41,680 --> 00:59:42,680 laughing? 126 00:59:45,820 --> 00:59:47,020 All these erect columns. 127 00:59:47,420 --> 00:59:50,260 Yes, it's Greece, really. This alley with these columns at the brothel. 128 00:59:50,480 --> 00:59:51,299 To what? 129 00:59:51,300 --> 00:59:53,040 At the brothel, finally, at the edge of the alley, what. 130 00:59:53,280 --> 00:59:54,280 Oh, it's fine. 131 00:59:54,620 --> 00:59:56,840 If we can laugh more. Do you think that laugh. 132 01:07:05,360 --> 01:07:07,040 It seems they had a lot of fun, these Greeks. 133 01:07:07,920 --> 01:07:09,980 Here, over there is the Temple of Love. 134 01:07:10,200 --> 01:07:11,200 Yes. 135 01:07:12,380 --> 01:07:14,200 At their place, it was quite special, isn't it? 136 01:07:14,540 --> 01:07:15,580 Yes, that's what they say. 137 01:07:15,800 --> 01:07:18,240 You see, over there, the Temple of Love, you can't dream of it.